RAP BEEF TIMELINE · 1994–2021
The Notorious B.I.G. vs. Raekwon
Baby-cover criticism, “Shark Niggas,” and the L.A. truce
Ready to Die’s baby-cover concept prompts Raekwon and Ghostface Killah’s biting accusation on Only Built 4 Cuban Linx…. Biggie’s “Kick in the Door” is widely read as answering New York critics including the Wu-Tang camp. Raekwon later says he and Ghostface met Biggie in Los Angeles days before his death, cleared the air, and saluted one another.
THE RECORD
The moments
Music industry · disputed account
Ready to Die’s baby cover becomes the source of a style dispute
The Notorious B.I.G.’s debut arrives with a baby on its cover. Because Nas’s Illmatic had used a childhood photograph earlier that year, Raekwon and Ghostface later frame Biggie’s concept as part of a broader biting problem. The alleged inspiration remains their interpretation.
▶ Read the Biggie, Raekwon and Ghostface lyrical-battle overviewDiss track · disputed account
“Shark Niggas (Biters)” makes the criticism explicit
On Only Built 4 Cuban Linx…, Raekwon and Ghostface Killah use the “Shark Niggas (Biters)” interlude to criticize unnamed artists for copying styles, cover art, and concepts. The record never names Biggie directly, so its target remains an attributed reading.
“Niggas biting styles and all that... Bite the cover, bite the concept... Be your-fucking-self, man.”Raekwon & Ghostface Killah, “Shark Niggas (Biters)”
▶ Listen to “Shark Niggas (Biters)”Diss track · disputed account
“Kick in the Door” is heard as Biggie’s answer to New York critics
Recorded for Life After Death, Biggie’s DJ Premier-produced track targets multiple rivals. Its bars are widely interpreted as replies to Raekwon, Ghostface, Nas, and Jeru the Damaja, while the precise line-to-target mapping remains contested.
“Ain't no other kings in this rap thing, they siblings / Nothing but my children.”The Notorious B.I.G., “Kick in the Door”
▶ Listen to “Kick in the Door”Reconciliation · disputed account
Raekwon and Ghostface say they clear the air with Biggie in Los Angeles
In later interviews, Raekwon recalls that he and Ghostface ran into Biggie in Los Angeles days before his death. Raekwon says the three spoke directly, acknowledged one another’s stature, and put the “Shark Niggas” tension behind them. The timing and details are Raekwon’s retrospective account.
“We saluted him and got that bullshit out the way.”Raekwon, retrospective interview
▶ Watch Raekwon recount Biggie accepting the apologyInterview
Raekwon revisits the competitive era in his memoir cycle
While promoting From Staircase to Stage, Raekwon reflects on the Wu-Tang and Bad Boy relationship, framing the old friction as competitive pride that risked eclipsing the respect between elite New York lyricists.
▶ Watch Raekwon revisit the wider history
THE RECEIPTS
Sources and listening
XXL — Biggie, Nas, Raekwon and Ghostface lyrical battles ↗Raekwon — “Shark Niggas (Biters)” ↗The Notorious B.I.G. — “Kick in the Door” ↗Raekwon on Biggie accepting his and Ghostface’s apology ↗Raekwon discusses his Wu-Tang and Biggie-era history ↗ARTIST LENSES